![]() It’s very good at helping you single out those “bad” frequencies in your audio files, and the “Dynamic EQ” mode helps you keep every track and an instrument in their respective sonic territories. Then we have the Pro-Q 3, which is a state-of-the-art equalizer plugin.Īlthough it might be a bit complicated to use, some of its features put it up there among the best EQ plugins on the market. Its main strength comes with the possibility to compress with different intensities over the audible spectrum. Although a non-master compressor, it’s very versatile and capable of some very advanced stuff. It can deal both with individual tracks and entire mixes. Pro-MB is a very potent compressor and expander. It’s somewhat advanced, but it clearly helps a lot in the mixing and mastering process. It also deals with different volume bursts, and even comes in handy if you’re working with surround formats. It’s made with eight different limiting algorithms, all dealing with different issues.įor instance, the plugin has a mode that irons out all the distortion that happens during digital to analog conversion. This is a peak limiter, designed to deal with unwanted loud dynamic bursts. The price of the bundle is definitely worth it as the total value of these four individual plugins is significantly higher. This one consists of four different plugins: Pro-L 2, Pro-MB, Pro-Q 3, and Pro-C 2. Several years later, I am always pleased to have acquired and I recommend it willingly.FabFilter has a few bundles to offer, one of them being the Mastering Bundle. In total, this is a synth very productive, easy to obtain what we want and gives beautiful sound, lead, bass, pads, plucks or others who may be nervous, fatty acids, or gliding and whatever. Rest assured, this is much easier to implement than to describe, and it can easily visualize the allocation of all controllers. Afterwards, the relevant parameters appear above the controller. The assignment is done by controller stretching a virtual wire between the modulator and the target parameter. But as soon as we understand, this synth programming becomes a joy. His organization found on other apps FabFilter Timeless like Volcano or may require some time to adapt. It can adapt to many styles.īut beyond the sonic qualities of this synthesizer, we must insist on its ergonomics. You will then realize that Twin2 is not focused on a specific genre, dance or techno, unlike a Predator example. If you do not have the courage to scroll through the presets in 1500, at least listen to those contained in the "best of". The enormous modulation possibilities are certainly a lot. But the possibilities are not endless and less FabFilter has learned the most from a very simple configuration. Nothing to do with Tone2 Gladiator for example. As we have seen, its architecture is quite simple and can be summed up easily. I use this synth for something like three years. A very soft and rationally developed, so. CPU usage very low in mono mode, it is of course significant mode unison 32 voices but without excess. Never had any desire for stability or function. I use on my MacPro Twin2 with MacOS 10.6.8 and Digital Performer. Finally, in 1500 presets come with the beast, although classified by categories and sub-categories. I do not recall having a manual with this synth, but if needed, everything is explained very clearly and in detail by using interactive. Note finally that this synth can operate in mono or polyphonic mode (up to 32 voices), and we are also entitled to a mode unison voices from two to 32 (!) It can control up to fifty parameters (not bad, yes!) The important thing is to know absolutely everything can be submitted to the controller, including the parameters of the controllers themselves. Controller "XY" (which can handle with the mouse), XLFO (which can act as mini-sequencer or arpeggiator tempo sync), envelope generator, envelope follower or any source noon. Finally, you can adjust the level and pan of the dry (without delay) and the wet (with delays filtered or not.) Do not forget the master tune and portamento which may be normal or legato.Ĭhapter comes controllers. Both delay are sent in two filters for which we have the same setting options and choices than those seen previously. ![]() For each: time, feedback and cross-feedback. As always with FabFilter you have a choice between 11 "qualities" filter (gentle, raw, tube, metal etc.) For each frequency setting, resonance and pan. Then there are two filters with three routing options (serial, parallel, per osc.) These filters can be LP, BP or HP, with a slope of 12, 24 or 48 dBs per octave. For each oscillator: detune, pulse width, hard sync level, pan and volume. No profusion of waveforms as in Massive, Gladiator or Predator: tri, saw, square, sin, white or pink noise. Easy installation and authorization without headaches.
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